REDiculous dazzles with a kaleidoscope of colours that dance across the canvas in bold, chaotic splendour. Bursts of red, yellow, green, cyan, blue, magenta, black, and white layer and twist, filling the composition with a fierce energy. Each hue fights for its place, yet together they create a visual rhythm—a frenetic pulse where every shade contributes to a shared, intense beauty. The artwork captures the raw, unfiltered essence of colour in its multiplicity, leaving an impression that feels both overwhelming and exhilarating.

The secret of REDiculous, however, lies beyond the surface. When viewed through a prism at the correct focal distance and angle, these disparate colours, once distinct and vibrant, dissolve into an all-encompassing, fierce red with black and white as shown below. It is as if each hue was only ever a fragment, waiting to find its true purpose within this deep, singular red. This phenomenon—a kind of visual metamorphosis—can only be described as “iculous” – a state of visual fusion, the point where the visual world undergoes a transformation, achieving unity through fusion.

What initially appears as a random collision of hues is, in fact, a layered expression of harmony in disguise. REDiculous invites the observer to engage with it not just as an image but as a dynamic experience of “iculous,” a place where colours find their highest expression not in isolation but in unification. Here, “iculous” is a state of visual cohesion, a journey from many to one, a celebration of the tension between unity and diversity.

Through this lens, REDiculous becomes more than just a play on words; it is a state of being, a world distilled into RED, an invitation to see beyond the obvious and step into the realm of “iculous”—a visual and conceptual space where everything connects.